说句湖南方言，搞囊子啊，剧情文艺实验一起搅和，整几段激情戏，后面还来了点访谈，这就是目前大陆的新浪潮吗，太潮了吧 还用黑白色，杭州搞这么阴暗吗 一星给菇凉了

杰里米·克拉克森：你这是直接偷了一座公交候车亭吗？ 詹姆斯·梅：我的想法是，当我躺在床上时，我不用出门也能看北极光。 理查德·哈蒙德：我怎么没想到呢？这有点像那些四处搜寻食物的人，快穿肉久各个世界挨C肉H不是吗？你则是去四处搜寻房子，但你带回来的不是蘑菇，而是公交站。 杰里米：是挺聪明的，问题是，我不是很想透过我的窗户看到你做一些羞羞的事。 詹姆斯：我又不会停在你附近。

Not bad, surprisingly. The Farewell offers a window through which westerners could see and appreciate common Chinese beliefs and values manifested naturally in people's daily life and interactions. It does a good job to present modern China and its ecosystem on a micro-level, i.e. family, without sugarcoating or demonising it. I understand why some Chinese audience may argue that the view of culture differences (expressed explicitly through conversations) is superficial, but I think this superficiality actually renders it particularly true, because that very view is held by actual people - it is not imagined, and it is not profound for a purpose.

小孩喜欢的，快穿肉久各个世界挨C肉H终于进电影院看电影版了，娃很喜欢

这两年的黑人平权恐怖片，从《逃出夺命镇》、《我们》、《异国阴宅》到这部，都是主题犀利且艺术造诣很高，烂大街的镜面影像依然用得惊艳，恰到好处地表达了身份认知和觉醒，几段皮影戏堪比《巴巴杜》，极大地渲染了悲怆与诡异氛围。这种完成度老司机们都不满意，原版到底是有多优秀。